Thursday, April 12, 2012

One more day, one day more // [flag wave]


A couple announcements before I get to more installation photos:



  • Between the opening and closing receptions, gallery hours will be M–W, 10am–4pm, and by appointment.

And more photos! 





(From top to bottom, art by: Left Handed Wave, first profiled here, with another cameo by yours truly; Peggy Shearn, former Exquisite Corpse participant; Imaginathan (Nathan Stanton), quoted below; and Gabriel Garcia-Frairewith an arrangement that allows gallery-goers to mimic the way he works.)

On artists: “You’re creating. You’re creating something that didn’t exist before. That’s miraculous.”

Wise words from participating artist Nathan Stanton, who literally gives away and leaves his artwork out on the street for the public to take. Part of a 2-hour-long conversation we had that included geeking out over the Beats, discovering that we share the same birthday, and thinking about putting a Slip ‘n’ Slide in the gallery, except with feathers instead of water. (Clarification: No, there will not be a Slip ‘n’ Slide at this show, which features nearly 70 works of art. Someday, however. Someday.)

Tomorrow!

Tuesday, April 10, 2012

The phrase “sneak peek” is proof that the English language is in major need of a spelling overhaul


Craziness—craziness!—from the first two days of I CAN DO THAT installation.





(From top to bottom: detail of DRIP-EX, a painting machine created by Chris Wille and Melanie Scott-Dockery; detail of Love Story by Lee Eun Young, who flew in all the way from Holland; Chris Busse’s potter’s wheel set-up—clay forthcoming!—and a cameo by yours truly; and detail of Avisheh Mohsenin’s conceptual piece—it is now suspended from the ceiling and looks even more beautiful than it does here.)

And more. (Seriously, so much more. There are over 40 participating artists, after all.)

Friday, April 6, 2012

…shakalaka?


I probably should’ve waited until next week to make a press roundup since these are popping up daily now, but… I CAN DO THAT is on Chicagoist!

The show opens in exactly one week!

Thursday, April 5, 2012

Boom


A quick update to say: I CAN DO THAT is in The Huffington Post!

Also: One week and one day until opening night!

Wednesday, April 4, 2012

The world is not enough // Renaissance wo/men unite


I CAN DO THAT is on Fear No ART Chicago as one of this month’s highlights! Thank you, Elysabeth!

An excerpt from GOOD article that I had to share:

But increasingly I've realized that for people like me, one creative outlet isn't enough. The most interesting, creative people I know express themselves in a variety of ways.

So. True. I’ve always been That Kid who did everything, but no matter what, I always want(ed) / need(ed) to do more.

Aaaaand the view count on my postcard project Flickr album has pretty much doubled since the last time I told you about it. Unbelievable. And, since then, I’ve been thinking that, in addition to a book, I’d like to create a related website encouraging others to launch postcard-dream-map-whatever-projects (clearly I need to come up with a title for this) in their own cities. Go go global network of dreams!

Tuesday, March 27, 2012

Eat your art out


Release the Kraken I CAN DO THAT press… release! Read it here. The image used is Anti by participating artist Brandon Kirkman:

Image courtesy of Brandon Kirkman.

At the show, a special guest / art critic will be making an appearance. He may or may not yell at you. Until then, you can follow his blog on the hip and not-dated-at-all platform that is LiveJournal.

Ummmm so my postcard project Flickr album has been up for less than a week, yet it has, as of this typing, over 1,200 views already. Just… I mean… what. Seriously and simply: thank you. For sharing it and spreading the word, for your enthusiasm, for your excitement. I’m flooredthe response has been downright overwhelming. People have been emailing me, telling me that they want to start the same project in their own cities, that they feel inspired to take action and realize their own dreams. And many of you are urging me to turn it into a book. And you know what? I will!

Tuesday, March 20, 2012

On ubiquitous banana men, palm readers, and maps


If you live in Chicago, you have seen the banana dude.

This one ironically not in Chicago but Brooklyn.
Image courtesy of Left Handed Wave, 2011.

For I CAN DO THAT, the prolific young street artist known as Left Handed Wave will provide a large-scale black-and-white banana man for show-goers to fill in / add to / go nuts with. After the collaborative effort is complete, he'll paste it up on the street. It will be grand. Check out this video of LHW in action:


(More videos here and here.)

Sadly, I’m allergic to bananas. And kiwis. And fabric softener. But rest assured that I’ll never be allergic to awesome art.

Thank you to another I CAN DO THAT artist, Mister Vibe, for giving me a palm reading. Apparently I’m a “Fire Hand.” Note that I’m also a Leo and was born in the Year of the Fire Rabbit. So that’s three fire signs. And I’m an only child. Basically, I was predestined to be a troublemaker / be obnoxious.

Speaking of which… gather ‘round and allow me to tell you about an old, still-untitled personal project I did a few years ago when I was in New York: From Fall 2008 through Spring 2009, I obsessively created hundreds of pre-stamped, self-addressed postcards, omitting my name. Written on each postcard was the prompt, “Tell me one thing you dream of doing before you die. Use this card as your canvas,” as well as a code on the bottom corner. I then left these postcards in public spaces all over Manhattan, using the codes to record where I placed each one. When the postcards returned to me, I was able to tell where each had been found, and I gradually pieced together a map of the city from all these people’s dreams.


It was an exploration in breaking down barriers between the private and the public (by its nature, letter-writing is an intimate act—although with postcards, anyone who intercepts your card can read what you wrote—and here were these people sharing their deepest fears and hopes with me, a nameless, faceless stranger, perhaps emboldened by the safety net of anonymity, or motivated by that very human desire to connect, to know that someone, anyone, knows about you), between artist and audience (I may have been the originator of the project, but was I the artist or were these people the artists, or both?), and between geographical boundaries (did the dreams of Upper Eastsiders differ that greatly from those in Alphabet City? on Wall Street? would the fine upstanding citizens there even pay attention to a handmade postcard taped up onto a street light? etc. etc.).

I’ve mentioned this project before, but learning about the new “Before I Die” installation in Pilsen is what prompted me to finally scan the postcards and try to share them online. For now, you can view them (uploaded in no particular order) here on Flickr (some replies NSFW).

Lastly, happy vernal equinox! Although it’s been much more like summer here in the Chi. If I were a beach kind of person, I’d totally be at the beach right now. (#vampireproblems / we skipped leather jacket weather / no but seriously when will I be able to wear my blazers and leather jacket)

Tuesday, March 13, 2012

The Chosen Ones // T-Minus 1 Month


The artists for I CAN DO THAT have been selected! They hail from across the country and around the world, and there’s plenty of local talent as well. Congratulations to Alyssa Trainor, Angela Hearld, Avisheh Mohsenin, Brandon Kirkman, Brooks Golden, Caitlin Bergh, Carisa Mitchell, Chris Barrett, Chris Busse, Clarisse Perrette, David del Bosque, Dead Squirrel, DRIP-EX, Dubi Kaufmann, Emmanuel L. White Eagle, Fernanda Quaglia, Gabor E. Nagy, Gabriel Garcia-Fraire, Glendalys Medina, Gracie Cannell, Imaginathan, Janet Mamon, Jared Haberman, Kathleen Enright, Kev Anderson, Kyra Termini, Lee Eun Young, Left Handed Wave, Mister Vibe, Nancy Bechtol, Nikolas Burkhart, Noel DeGaetano, Pancho Panoptes, Patricia Biesen, Peggy Shearn, Peter Dzubay, Predrag Djordjevic, Rachel Dennis, Robin Jiro Margerin, Scot West, Sioban Lombardi, Zachary Trebellas …and you.

Previews of the art to come!

Tuesday, March 6, 2012

wolf in Lam's clothing


The artwork submission window for I CAN DO THAT is now closed! (Of course, almost half the total submissions came in the last couple days. Ahh, human nature. But at least no one did what I would’ve done in similar situations / in college, which would entail searching for and finding a corrupt file on my computer on Sunday night, renaming said file, and then attaching that file to an email, to which the poor professor it addressed would respond saying s/he can’t open the document and I’d email back after some time all “golly I wonder why Prof well see if this one works” and then attach the real completed assignment and still manage to get an A okay I do not condone this behavior nor will I ever fall for it.) (Sorry, professors.)

To everyone who applied: Thank you! You’ll be hearing back from me by the end of the week. To everyone else: Many of the submissions are brilliant. I am beyond excited for this show.

Monday, February 27, 2012

I Can Spell // Sorry, Time Out Chicago magazines


Artist applications for I CAN DO THAT are due in 1 week!

If you live in Chicago, you will be seeing this (or a variation of it) around. Most likely hanging at the eye level of a hobbit.


Note to ransom note-makers: The “D” was surprisingly difficult to find. Note to no one in particular: The figure is from a scan of a photocopy of a cut-out print-out of a scan of a print of an intaglio etching I made a few years agoI am my own Richard Prince.

I’ve added new buttons on the sidebar to make it easier for you to follow me on Twitter, LinkedIn (which I desperately need to update), and more. You’ll be kept up to date with all that I find is interesting. And thank you for following / visiting this blog in the first place! Thanks to you, when I Google myself (don’t front—we all do it) now, I actually show up on the first page of results. Nothing short of a miracle considering there are about a billion (this is a fact) Jenny Lams in the world; I even know two others (one of them is an aunt of mine, but technically I came first, since she married into the Lamily). Continue being awesome!

Tuesday, February 21, 2012

Lucky 13 and More Numbers


Two show-related matters:

One: Beginning in October, via social networking sites, in person, and here, I’ve been asking you who you think is the most overrated contemporary artist. I’ve received over 100 responses, not including the responses to those responses in what devolved into some very strange feuds (photography haters? who knew?). My main takeaway from sorting through all the answers? It’s amazing how many times people misspelled “Damien Hirst,” and it’s amazing how many ways in which that name can be misspelled. In honor of the Friday the 13th opening date for I CAN DO THAT, I present to you:

Your Top 13 Overrated Artists:

13 – (tie) Andy Warhol, Elizabeth Peyton, Jackson Pollock, Karen Kalimnik, Lady Gaga, Matthew Barney, Peter Max
6 – Cy Twombly
5 – Banksy
4 – Tracy Emin
2 – (tie) Damien Hirst, Thomas Kincaid
1 – Jeff Koons

Thoughts on the results?

Two: The artist application deadline for I CAN DO THAT is two weeks from yesterday! Submit!


And two not related to the show:

Ein: Does art school matter? Find out with the artists behind The Drop Out Kids in my latest piece for Sixty Inches From Center (Part II to this article).

Zwei: Flight tickets booked! This artist will be on the lam in: Beijing 5/4 – 5/9, Shanghai 5/9 – 5/15, and Hong Kong 5/15 – 5/22. I’ll be visiting artist studios, art galleries, art fairs, and more, and I’ll be sharing my shenanigans with you while I’m there in Hong Kong and back in the States (a plague o’ both your houses, Great Firewall! ETA after returning from the trip: there are ways around it!). …I’ll also be in the Ladies’ Market haggling for more of those $3 plastic red watches that stop working after several weeks and at this point are pretty much just chunky bracelets with numbers on them.

Monday, February 13, 2012

And it starts


If you check this blog regularly even when I haven’t made a new post (and for that I love you), you might’ve noticed some changes to the row of tabs above. The reason?

My next show, I CAN DO THAT!

Everyone: Save the date. The show opens Friday the 13th, April 2012.

Artists / “artists”: Currently accepting submissions until March 5. Check out the open call and apply here.

Everyone again / “everyone” / “again”?: Spread the word. Invite yourself to the event and then invite your friends / acquaintances / random people whose Facebook friend requests you reluctantly accepted. This is going to be good.

Tuesday, February 7, 2012

Of cool-makers and rule-breakers / Words


For those who celebrate the [best] holiday [of the year], I hope you had a grand Chinese New Year. For those who don’t celebrate, I still hope you had a grand Chinese New Year. Because even if you don’t believe in the lunar calendar, the lunar calendar believes in you. Or something.

Since I’ve been asked, I thought I’d clear things up: yes, I write all my own press releases and anything else that involves, well, words. (Which means, yes, I sometimes refer to myself in the third person.) (You, too, can have press releases written about you in the third person! That’s one of my services! Shameless self-promotion! But not really because this is my blog!)

On the subject of writing, check out my latest Sixty Inches From Center article here and take a look inside Arow, a new artist collective that’ll convince you all is right with the world. Or, at least, with Chicago’s underground art scene and all its crazy cool kids.

Most importantly, stay tuned for an announcement regarding my next show! As with Exquisite Corpse, there will be an open call for artists. Excitement. 

Tuesday, January 10, 2012

Winging It, in the Modern— / People’s Choice


Last month on a Thursday evening before the holidays, I stood in the middle of the Modern Wing of the Art Institute of Chicago, straight-up looking like a high-schooler working on a class assignment (I should probably forgo my trademark neon dunks and $3 plastic red watch when interacting with strangers who aren’t given clues that suggest the contrary…), and asked museum visitors the following two questions:

Who, in your opinion, is the most overrated contemporary artist?

On the flip side, what would you like to see in a major museum or gallery show consisting of contemporary art? What are the kinds of things you’d like to see in major institutions?

Here’s what they had to say:

(Some survey-ees didn’t answer the first question. Hmmm.)



Would like to see: (R) Anything that is interactive and very real, something you can actually be involved with. It seems like so many things in museums are always “don’t touch” or “steer clear.” Something that you can actually interact with would be kind of cool.



Would like to see: (L) Ancient items. Modern art [tends to be] difficult to understand.



Would like to see: I’m very big on still lifes. A lot of shadows, not a lot of color. Just basic colored pencils or graphites to kind of depict the different values. Something simple that kind of shows the artist’s soul, something very descriptive that can just move a person. Very provocative, very thought-provoking. Not over-done.

(We then proceeded to fawn over literature and poetry.)



(The gentleman requested to have his and his wife’s photograph taken in front of the Thomas Schütte sculpture.)

Overrated: (R) Andy Warhol.

Would like to see: (R) Characteristic pieces right from the pre-historic on up to the 1950s, Rothko, maybe stopping there. A little bit into the early ‘60s, but Rothko was the last one that I really appreciate, although I do like some contemporary pieces.



Overrated: (R) Andy Warhol. He’s talented, but so many people want to read so much into it because it’s just so easy to digest and because it’s Pop Art, you know? So people want to be like, “Oh that guy’s unbelievable.” And he’s good. I mean, there are parts of it that I do like, but you’ve seen it so many times.

Would like to see: (R) I’m always a really big fan of photorealism. It’s not like it’s the most amazing form of art, but I don’t see a ton of it in art museums. And I do like abstraction—big Kandinsky fan.

(We all subsequently geeked out over the museum’s Arms & Armor section. They proposed a “modern update” to make it even better.)



Overrated: Those kinds of paintings that are just one color on a canvas. I don’t know the specific artist, but where it’s just two colors, and I’m like, “I could’ve done that.”

Would like to see: More textiles. Textiles are my favorite.



Overrated: (L) I would say Cy Twombly.

(R) Peter Max.

Would like to see: (R) Impressionism.

(L) I kind of like the modern art. I’m getting to appreciate it. It reflects this time that we’re living in right now. Just like with the Impressionists, I’m quite certain that, in their times, people didn’t accept what they were doing.



OverratedI’m a little underwhelmed with a lot of the Walker in Minneapolis. Like the landlord collection, John [Waters] or something like that. I just didn’t understand it at all.

Would like to see: Photography.

A little more of a throwback to adding more styles of old, more Renaissance, mixed with new mediums. I just don’t see any of that. It’s strictly new and it’s so avant garde that I’d like a mix of media.


As a bonus, I also surveyed the buddy who got me into the museum for free… (Thanks, Kris!)


Overrated: Damien Hirst. That guy’s bullshit. I also think Banksy’s very overrated.

Would like to see: It’d be more interesting for the major museums and galleries to at least give some space and time to people who aren’t necessarily selling a lot of stuff. Don’t get me wrong; you’re going to get a lot of crap, but that’s always true. Everything’s mostly crap, but eventually you might find something good in the crap. These boards tend to be the same sort of people everywhere. They sell themselves on what’s good and what isn’t, so it’s an echo chamber, so you always get what somebody in that group says is cool, and then everybody wants to seem cool so they go along with it. Getting something outside of that would be nice, and that could be anything from… I don’t want to say “outsider art,” because I think that got really clichéd for a bit, but there’s stuff being done that isn’t being seen by people—not because they’re outsiders, but because it’s hard to get an audience. So I’d like to see some new stuff. I’ll fully admit most of it will probably be garbage, but every once in a while something will be cool.


Anyone you agree with? Anyone you’d like to vehemently debate? Any other artists you’d like to add to the list? Any other kinds of art you love and wish more people loved?

Also, because of all this shit-talking, Jeff Koons and Damien Hirst are now turning up in my Gmail ads. Goddamnit, Google.

Saturday, December 31, 2011

A [Half] Year in Review? / Thank you, June–December, 2011


Most blogs are probably taking a nostalgic look back at 2011, posting highlights, making tiresome Top 10 lists… That won’t happen here. Which I’d like to say is because this blog is Different. With a capital D. And it is. But mostly it’s because I began this blog and business in June. But really, although this whirlwind started six short months ago, [the latter half of] 2011 has been a great adventure, and I thank you all for being a part of it.

Tonight, we bid adieu to an incredible year. A year of exciting change in the art world, of global awakening and revolution, of the Otis scream and a Common / Drake feud that came out of nowhere but was nonetheless amusing on multiple levels.

Here’s to an even better year. (At the very least, it’ll be the year of the geek. Seriously, the upcoming blockbusters look glorious. Prometheus? The Dark Knight Rises? The Hobbit? Just… oh man. Hold me, Gandalf.) From my end, you’ll be getting a new art show that will blow. your. mind (overhyping it? perhaps, but that’s a risk I’m willing to take), in-depth and firsthand looks into the latest art both from this gritty little city by the lake and around the world (travel destinations will include Hong Kong, Beijing, Shanghai, Basel), and more, and that’s just this Spring and Summer.

Enjoy New Year’s Eve and Day, and see you in 2012!

Thursday, December 15, 2011

A Call for a Global Art History / It’s not all about you, dude


Before I get to the main point of today’s post: Three of my articles made Sixty Inches From Center’s Top 10 Most Read Articles of 2011 list, and I only joined SIFC in the Spring. THANK YOU for reading all the crazy things I write! Make sure you check out my latest piece, “Text, Drugs, and Rock & Roll // PART I.” (Part II will be live on Monday.)

Speaking of Sixty, last week, at WBEZ and SIFC’s “What’s Your Art? Celebrating the Art Centers of Chicago” event at the Chicago Cultural Center, a visitor approached me (“I know you! You put on the show where the woman rolled around on the floor!”), introduced himself (Dubi Kaufmann, who took a few photos of said woman rolling around on the floor), and told me that Exquisite Corpse inspired him to start his own project that engages artist collaboration. Like this audience reaction letter, it made my day. Thank you, Dubi.

On to a different kind of center… Let’s discuss the de-centering of art history, the need to expand mainstream art history’s focus beyond its Eurocentric bent. I came across The Art History Newsletter, which published Art Historian, Globalize Thyself” yesterday:

Globalizing art history is “the most urgent task now facing art historians,” says David Carrier, professor at Case Western Reserve University. [...] Art history has moved beyond its blatantly Eurocentric, colonialist origins, when all non-Western art was considered “primitive”—if it was considered at all—but scholars say that serious problems remain. They note that Intro to Art History textbooks may now boast chapters on, say, “Monumental Olmec Sculpture” and “The Buddhist Temples of Korea,” but those make little impact alongside the books’ central narratives, which as always celebrate the long march of Western art from the Greek kouros to Jeff Koons.

To state the obvious, by limiting art history to the West, we severely limit ourselves. Obviously. What’s more, however, is that broadening our perspectives can allow us to re-examine and re-structure our established frameworks, to see our own world through a new—and better—lens. Take, for instance, the essence of Modernism itself. I can never get over how so much ancient Chinese art looks downright Modern—in the economy of line, in the minimalism, in the symbolism, in the abstraction. (In a similar vein are Tantric paintings from 17th C. India:)

Image via NYT.

But then, in the article, things take a turn toward the problematic / offensive…

Elkins doubts we can write a truly global art history until non-Western countries start writing more of their own art history—they currently do very little, as he’s shown. Even then, he says, art history will remain “in its basic structure and institutional habits, permanently Western.” He notes that non-Westerners who take up art history typically imitate Western models and goes further to say, “The very idea of writing an art history of some country or region is Western.”

·         Yeah, no. The onus shouldn’t be on “non-Western” (an inherently imperialist term, making the West the norm and everything else something that deviates from that norm) cultures to write more about their respective art histories (which they already do). Rather, Western institutions should be the ones providing such educational platforms. Look at languages: learning English is often mandatory in primary schools throughout the world. Many Americans, meanwhile, know only one language (and it ain’t Urdu).

This insularity is not a problem limited to the primary school system. My alma mater, Columbia University, prides itself on its Core Curriculum—which might as well be called Kids, Let’s Talk About Dead White Men—comprising courses like Literature Humanities in which, if you’re lucky, a token or two (Jane Austen and/or Virginia Woolf) might be thrown into the mix. There is a Major Cultures requirement, but students must choose and specialize in one particular region (e.g. Africa, Asia, the Middle East). For art majors, one of the requirements is 20th Century Art, and although it was one of my favorite classes (because it’s not like I’m into contemporary art or anything…), it really should be renamed White People In 20th C. America And Europe And Not Even A Cameo By Basquiat.

·         History-writing / documentation is not a Western invention.

·         Etc.

What are your thoughts on the subject? If you’ve studied (or are simply interested in) art history, what has your experience been like?

Friday, December 9, 2011

Survey monkeys


If you’re here because I approached / grabbed / rudely interrupted you at the Art Institute Thursday evening… hello and welcome!

Your thoughts will be shared in the near future, but not until I disrupt the lives of more innocent strangers.

And for everyone else reading this: worry not, friend—it will all make sense in due time.

“Sense.”

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