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“For the poor, the arts are a path to opportunity.” Props to Americans for the Arts’ Robert L. Lynch and actor / director Robert Redford for writing this letter, which was in response to a recent study revealing that federally funded arts programs benefit people of all income levels. (And yesterday, in related news, President Obama finally named his pick for the head of the National Endowment for the Arts.) Art’s importance cannot be stressed enough.

So tell me. In the spirit of Valentine’s Day…

Penny Byrne's Love Is a Battlefield
at the inaugural Art Basel Hong Kong.

Why do you love art? And what do you love most about art?

(P.S. De La Soul is making their entire catalog available for free download today at 11am EST until tomorrow at noon. Edit: And Gargoyles, my second favorite animated TV show as a kid—after Batman: TAS—is streaming legally on YouTube. Happy Friday!)

One more day, one day more // [flag wave]

A couple announcements before I get to more installation photos:

• I CAN DO THAT is in Time Out Chicago! I particularly enjoy the tags…

• Between the opening and closing receptions, gallery hours will be M–W, 10am–4pm, and by appointment.

And more photos! 

(From top to bottom, art by: Left Handed Wave, first profiled here, with another cameo by yours truly; Peggy Shearn, former Exquisite Corpse participant; Imaginathan (Nathan Stanton), quoted below; and Gabriel Garcia-Fraire, with an arrangement that allows gallery-goers to mimic the way he works.)

On artists: “You’re creating. You’re creating something that didn’t exist before. That’s miraculous.”

Wise words from participating artist Nathan Stanton, who literally gives away and leaves his artwork out on the street for the public to take. Part of a 2-hour-long conversation we had that included geeking out over the Beats, discovering that we share the same birthday, and thinking about putting a Slip ‘n’ Slide in the gallery, except with feathers instead of water. (Clarification: No, there will not be a Slip ‘n’ Slide at this show, which features nearly 70 works of art. Someday, however. Someday.)

Tomorrow!

The world is not enough // Renaissance wo/men unite

I CAN DO THAT is on Fear No ART Chicago as one of this month’s highlights! Thank you, Elysabeth!

An excerpt from a GOOD article that I had to share:

But increasingly I've realized that for people like me, one creative outlet isn't enough. The most interesting, creative people I know express themselves in a variety of ways.

So. True. I’ve always been That Kid who did everything, but no matter what, I always want(ed) / need(ed) to do more.

Aaaaand the view count on my postcard project Flickr album has pretty much doubled since the last time I told you about it. Unbelievable. And, since then, I’ve been thinking that, in addition to a book, I’d like to create a related website encouraging others to launch postcard-dream-map-whatever-projects (clearly I need to come up with a title for this) in their own cities. Go go global network of dreams!

Art = Life

The last discussion presented art as a vehicle for revolution and change, as the channel through which the people make their voices heard. Rather than letting some bureaucracy-obeying art world sycophant churn out an offensively predictable Top 10 artists list that’s supposed to, somehow, tell you what he thinks you should like… Who and what do you want to see gain more exposure? What kind of art or which artists represent you? (To keep things organized, discuss over here.)

And now for this week’s discussion: I interviewed artist Martin Bernstein for Sixty Inches From Center, and here are some gems from our conversation (and good advice to boot):

Photo by Andrew Roddewig, 2011.

On art:

Art is a consciousness. [...] It’s a way of life. It’s a way of looking at every single nanosecond of every day.

On great art:

Great art isn’t something that gives you all the answers; it’s a starting point for you to then question. [...] You’re always learning. You always have to push towards something you don’t know.

On the value of traveling:

The road taught me: open your eyes right now, because what you are seeing or doing or thinking is gone, and now there’s a new “right now,” and that’s gone, and now there’s a new “right now,” and you keep moving through… Well that’s life. And it’s right now.

On not only knowing yourself, being yourself, and sticking to it…

Principle is all you’ve got in the end, and so you really have to find the basic code of how you want to live, and all your work and all the things you say and do should fit that perfectly. [...] Especially as an artist and they are constantly telling you no. [...] We look outside of ourselves to define ourselves when we [are young]. It’s kind of a parabolic curve of life to me, and somewhere in the middle when we get to our 30s, we start to go, “Wait a minute. It’s not them. It’s me.” You start to realize that you sort of colored in the all the surrounding areas, and now it’s time to fill in this figure that’s sort of the shadow. You start to fill it in.

…but also having faith in yourself:

 I just trust that I’m on the right path, that I’m doing the right thing at the right time, and if I don’t feel that, I’m willing to turn around on a dime.

More wisdom here.

For many of us, art was our first [and only—shhhh] love. To ask an artist if she could do without creating is like asking someone if she could do without breathing, or if she could log in to Facebook and log out within five minutes (it’s impossible). This question applies to everyone, artists and collectors and art appreciators alike: When did you first fall in love with art? When did you know you wanted it to be a part of—no—to be your life?

Life Work, Work Life

Surprise! A weekend post! The reason being: I will be in Peru from July 25 through August 5. I won’t be blogging in that time, as I’ll be too busy digging through my brain’s foreign language files and dusting off the Spanish folder, as well as fraternizing with llamas, to do so. Until my return, here’s some food for thought from the Frieze archives:

Life, to start with, is not just about your professional life. There is so much more to it than just work. The trouble is that, when you get into art, that ‘so much more’ is precisely what you want your work to be about. Life is what you want to immerse yourself in through your work. The freedom of the artist and intellectual, Theodor Adorno wrote, lies in the possibility of not having to separate work from pleasure as all those caught up in the system of division of labour do. This is our chance for a good life. But this is also why things tend to get messy. [...]

[...] To be part of an art scene was probably always as emotionally confusing as it is today. With who [sic], and in what guise, do you want to get involved and recognized? As a professional or as a person? How do you mark the difference? How do you draw the line between colleagues and friends? Why even categorize? You may wish to be open to whatever someone who enters your life might become for you. Still, recognizing a real friend seems crucial when everyone around you is professionally friendly. And love is a mess anyway when you happen to be in the same field, in the arts, with all of us being – how shall I put it? – a bit special (beautiful and difficult, grandiose and needy, generous and selfish, seeking and giving intense pleasure). So, rather than draw lines, we may want to invent a new language to commune with the strange phenomena that the people who get under our skin inevitably are and will continue to be.

It’s a poignant piece that hits close to home. A career in art does not constitute a 9 to 5—rather, a 9 to forever. The workday never ends, and every day is a workday. And yet, I wouldn’t have it any other way.