Showing posts with label too many parenthetical statements. Show all posts
Showing posts with label too many parenthetical statements. Show all posts
Thursday, November 16, 2023
You Ain’t Zine Nothing Yet
I’m so excited to announce the contributors in my inaugural zine, LAMINATOR Vol. 1! This new publication—Artists on the Lam’s first physical booklet—features work by 68* artists, poets, and writers from all over Chicago, the country, and the world. This is a labor of love.
*(If you think that’s a lot (it is): The submission process unexpectedly became highly competitive for a little zine; I received applications from over 200(!) people, a record number for me. It got to the point where one night I actually continued to review entries in my dreams.)
In this volume, enjoy poetry, prose, and art across all media and forms—including illustration, painting, photography, collage, textiles, and more—by:
Ami Moregore, Ami Watanabe, Angela Townsend, Annie Govekar, Audrey Clarendon, Buuchau Chau, Chantal Danyluk, Charlene Moy, Christine Lozano, Claire Cai, Constance Volk, Cynthia J. Lee, Dana Albalushi, Darcie Denton, Darinka VZ, Emily Andrews, Emily Thornton Calvo, Fei Ewald, Fernanda Morales Tovar, Gabe Drueke, George Peterson, Gloria Tang Yuze, Hayden Minor, InsomniaBird (Susie Xiong), Jamiece Adams, Jasmine Marie, Jessica Smit Mattingly, Jonathan Espinoza-Perez, Josepha Natzke, Julia Graczyk, Kathy Halper, Keelan McMorrow, Kelly Eden, Klinta Kalneja, Kurt Kreissl, Laura Cantor, Laura Catherwood, Laura Rodriguez, Lillian Prichard, Maddie Hinrichs, Maham Ali, Marcia Biasiello, Marie Magnetic, Mark Banks, Mary Kate Fahrenbach Venturini, Meri Kukkavaara, Nalendra Ezra a.k.a Ejura, Nancy Bechtol, Olukorede Ojelade, Oscar Eduardo de Paz, Patrick Earl Hammie, Pedro Patti, Renata Hernández, Renee McGinnis, Richard Gessert, Sarah Lorentz, Seth King, Shannon Sphar, Sneha Paul, Sophia Croasdale, Stafford Hiroshi Smith, Taryn Okesson, Tiffany Gholar, Vaishnavi Sivaprasad, Wendy Wahman, Win Wallace, Yulin Yuan, and Zee Tan Zhi Wang
Created and edited by Jenny Lam
Pre-order the zine here, where you can also get a sneak peek at some of the artwork and poetry inside, as well as view a mini online art exhibition featuring some of the contributing artists!
Pictured above: A charcoal drawing called Acolyte #1 (this will be on the cover!) by Win Wallace, an artist currently based in Lockhart, Texas, and an oil painting called Wallflowers by Emily Andrews, an artist, actress, and musician from Niagara Falls, Ontario.
Tuesday, May 9, 2023
Culture Shift
I’ve been sitting on this news for months, but now that it’s been published, I’m giddy with excitement (and embarrassment?*) I can finally share with you that I’ve been named one of 2023’s Culture Shifters by HuffPost! *(I burst into laughter when I saw the headline.)
I’m so honored to be featured on a list alongside such creative change-makers. Endless thanks, love, and gratitude to:
- Reporter Yue Li, a graduate student at Northwestern’s Medill School of Journalism. Yue had reached out to me for “a profile story about an outstanding Chicago-based artist” and interviewed me all the way back in January (I remember we wished each other a Happy Chinese New Year!). She then pitched her story to the HuffPost culture team in March… and not only did their editorial team say yes, but the editor also said she’d love to include me as a Culture Shifter!
- Freelance photographer Taylor Glascock. Taylor took these photos of me in Chicago’s Chinatown on a brisk (to say the least!) but bright March afternoon. Everything I’m wearing in them I’ve had for at least 14 years (exception: my sneakers, which I’ve had for 7) (this is a pattern you’ll find with me and belongings)
- Senior editor of culture Erin Evans
- Senior photo editor Chris McGonigal
- Artist Nancy Bechtol, one of my Artists on the Lam, who was also interviewed for this piece and had such kind words to say about me
- Everyone who’s been a part of my journey. We don’t get here alone!
Read the interview here.
Tuesday, August 30, 2022
Midway There
I am thrilled to announce that I will be participating in MdW, the local alternative art fair that’s back after 10 years and will be held Sept. 9 to 11 at Mana Contemporary Chicago! This will by my (and Artists on the Lam’s) first time exhibiting at an art fair! (I so love that MdW is free to apply to, present at, and attend.) And what’s more… I’m putting together a mini version / 10th anniversary edition of I CAN DO THAT at our booth! (Throughout the past decade a lot of folks have been asking me if ICDT would ever happen again, and I’m so pleased to finally be able to give you an answer!) Thank you to everyone at MdW for this opportunity. View more details here or/and keep reading below.
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Image courtesy of MdW. |
Artists on the Lam presents
I CAN DO THAT 10th anniversary edition and celebration
2022 marks the 10th anniversary of Artists on the Lam’s acclaimed I CAN DO THAT, the groundbreaking—and rule-breaking—interactive show that Chicago artist Jenny Lam created and independently curated based on how a lot of people go up to contemporary art and say, “Well, I can do that,” or “my kid could do that.” So at the show Lam had the artists’ original art supplies in front of each piece, as well as blank canvases and other surfaces, and challenged people to see if they could, indeed, “do that,” or if they felt like they could improve a piece, they were able to directly paint or make any mark on that original work of art. It was glorious fun, and was eventually named audience choice for “Best Art Exhibit” in the 20th anniversary edition of NewCity’s Best of Chicago issue. Read more and view [many] photos here.
Now, a decade of anticipation later, Artists on the Lam is finally bringing I CAN DO THAT back! Enjoy a mini version at MdW, an artist-run alternative art fair showcasing over 100 artist-led projects. In keeping with MdW’s focus, the participating artists of this new iteration hail from throughout the Central Midwest. They include: Cristy Corso, Emily Calvo, Nancy Bechtol, Zachary Trebellas, and you. Celebrate with us!
Location: Booth #40 at MdW Art Fair, 4th floor of Mana Contemporary (2233 S. Throop St., Chicago, IL 60608—enter on East side of building)
Opening Night / Vernissage: Friday, September 9, 2022, 5-8pm
Other Visiting Hours: Saturday, September 10, 2022, 12-9pm & Sunday, September 11, 2022, 1-5pm
Admission is free.
You must wear a mask at all times. Let’s continue to keep each other and our communities safe. Read Mana’s COVID safety protocol here.
Instagram: @artistsonthelam | Twitter: @TheJennyLam | Email: artists.on.the.lam {at} gmail {dot} com
More from the original exhibition:
- Read the original press release for 2012’s I CAN DO THAT here.
- View the 2012 opening reception photos in their original albums on Flickr and Facebook.
- Journey behind the scenes of 2012’s I CAN DO THAT via these posts on the blog.
Art fair booth attendant needed! This is a paid opportunity. Apply here.[Update: This position has been filled. Thank you to the applicants!]
Sunday, June 6, 2021
What Is Time
Today is the 10th anniversary of Artists on the Lam!
It was on Monday, June 6, 2011, that I published my first blog post here.
(Looking at that post, which is incredibly embarrassing, it’s funny how I’m much further removed from my 2011 self now than my 2011 self was to my teen self I kept referring to in it. (What a sentence.) I was so young but was writing like I was so jaded and world-weary. (Which isn’t surprising considering I already felt old and that time was passing too quickly when I was only 7.) But that was part of the charm of those early posts, of course.)
Thank you, everyone, for being a part of this extraordinary journey.
To celebrate, DECAHEDRON is virtually opening tomorrow! Save the date. (One day from now. But still.)
Until then: Now that I’m fully vaccinated, I’ve been going on a few art outings (artings?)*, and you can treat your eyes with my photos on Instagram (or your other social media of choice: Twitter, Facebook, LinkedIn, Tumblr).
*(My first one (in over 14 months) was last week, and it was a Special Preview of Frida Kahlo: Timeless at Cleve Carney Museum of Art inside McAninch Arts Center at College of DuPage. Featuring 26 original works on loan from Museo Dolores Olmedo, alongside a multimedia timeline and replicas of objects from Frida’s life, plus other special programming, it’s the largest Frida Kahlo exhibition in the Chicago area in more than 40 years, and it’s now open to the public. (Among my photos I naturally included one of her revolutionary politics; it was an integral part of her identity.) Afterwards my family and I visited the Morton Arboretum (only a few minutes away from the CCMA), where a new exhibition of sculptures by Daniel Popper called Human+Nature just opened and will run for at least a year. And yesterday we went to Immersive Van Gogh Chicago. Vincent is a reminder: Support us artists when we’re still alive.)
Thursday, April 15, 2021
Shots, everybody
On Monday Illinois finally expanded vaccination eligibility to everyone 16 and older, so I got my 1st dose of the vaccine! Dolly Parton one / Moderna, at Walgreens.
I was so anxious and nervous on the way there (mostly because I haven’t set foot inside a store in over a year (thank you, curbside pickup) (as you know, I’ve been super strict with staying home since March 2020)), but once there I felt like I was in good hands. And what a gorgeous day it was to have a dose of hope.
More to be grateful for: Thank you, Art Design Chicago!
(March 30 marked exactly 1 year since SLAYSIAN—art show I curated of Chicago and the Midwest’s Asian artists—has been online. It’s still up and will remain up for as long as artistsonthelam.com exists. If you missed it in 2020, take a look now. (And for interviews and articles about the show, visit this page.))
Speaking of shows, thank you to everyone who applied to Artists on the Lam’s virtual 10th anniversary international art exhibition, DECAHEDRON! Keep your eyes peeled for the artist list announcement!
Speaking of hope, my labor of love, Dreams of a City (can you believe it’s been 13 years since I started it as Manhattan Map // Postcard Project and 9 years since I launched the Chicago edition?), has inspired a writer in Finger Lakes, New York, to start his own version, and here’s his post about me, my mission, and more.
And I’ll leave you with some nostalgia as random as it is potent: Who else used to watch a show called Yan Can Cook back in the day? When I was little, this was my thought process during reruns. (And I’m loving all the love in the comments!)
Tuesday, March 20, 2018
Vernal
It’s spring, and you know what that means: I’m traveling to Hong Kong today! (Thank you, once again, to Art Basel, Asia Contemporary Art Show, et al. for the VIP program invites!) If you aren’t following me on Instagram and Twitter already, now’s the time to start; I’ll be sharing live updates and photos throughout my trip. (Also, SUE the T. rex—everyone’s favorite large murderbird—follows me [and occasionally replies to completely non-science-related thoughts of mine], a fact that brings me great joy every time I suddenly remember it. So yes, be like SUE.) (Granted, the likes of Ai Weiwei and Beck follow me too, but SUE’s the biggest celebrity here to my former [and current] nerdy self. Well, literally. But still.)
Some of my phone* photos from last year. *(Except for the one of me, which my mom took.) I love how my images are mostly of women, even Guanyin (the Goddess of Mercy). |
I’ll be back on April 4. ‘Til then: Read my new (launched it last week!) ongoing interview series, ABC in HK, amplifying the voices—and the stories, struggles, triumphs, and dreams—of Chinese Americans who’ve returned to their roots, here and on Medium (and view the call for voices, which I’ve added a couple updates to, here); and look forward to my upcoming exhibit at the Chicago Public Library during May in celebration of Asian American and Pacific Islander Heritage Month.
Tuesday, November 21, 2017
How We Move Mountains
Get excited, because I am: The multi-talented and ever joyful [and joyfully irreverent] Emily Calvo—who was one of the artists in LEXICON (if the title of this blog post sounds familiar to you, here’s why)—and I are collaborating on an upcoming poetry and art event! No details yet (we had our first brainstorming meeting today, and it was glorious), but it’ll probably be this spring. Putting out feelers: If you’re a visual artist who also does poetry / a poet who also does visual art, let us know! (And thank you, Emily, for asking me to collaborate with you on this!)
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Another one of my many photos from my parents' and my Silk Road Tour in Western China. (Taken while walking to Crescent Lake after our camel ride on Echoing Sand Dune / Mingsha Shan, Dunhuang, Gansu.) |
And a follow-up to Friday: Here’s me at Line Dot Editions, over an hour after the Holiday Show reception was slated to end, with a gift they surprised me with for helping judge the art submitted to said show. Amazing job to all the artists and everyone at the gallery (Line Dot folks, looking forward to more hangouts in the back room with the impressive bar), and thank you to all who came! Of note: I showed up towards the end of the opening (as I do) and it was still packed, even with the rain. (A friend on how she found me: “I saw someone short with long hair.”)
Monday, January 4, 2016
10 Chicago art gallery exhibitions to check out in January
Happy New Year! Make a resolution
to see more art; here’s my monthly highlight post on Time Out Chicago to help you kick start 2016.
Hope everyone had a
happy holiday season! (This was my Christmas, and this was my New Year’s Eve. The geekery is strong with this one.) When I was little, I made “pet rocks.” (If I noticed
a uniquely shaped rock, I’d clean it, then paint it into whatever animal it
reminded me of.) I came to my parents’ house to see that they’d dug this guy
out.
Every few months or so,
I CAN DO THAT blows up (it
probably gets shared somewhere). And it’s happening now. Love it! (Look forward
to my next exhibition in June.)
And a PSA: Artists, beware
of frauds / imposters / overall horrible people / etc. Thanks to June Keser for
alerting me in this post’s comments to someone who went by “Hop Coplin”
on Facebook stealing this doodle of mine and claiming it as her own,
even changing my signature to hers. The charlatan deleted her post after I told
her off, and it now seems like her entire account has been deleted. Success.
To everyone else: Cheers
to a splendid year!
Saturday, October 6, 2012
Fire Rabbits, Water Dragons
Chicago Artists Month has begun, and Art Depth is today! If you’re in
Chicago, be sure to drop by, and don’t miss my balloon launch at 8pm. Besides
the art party I’m throwing, there will be much more going on at the event. Here’s
the full schedule. It’s a packed one.
In other news:
I’m on the TRANSIT Map as one of the artists! Here’s the full-size version. You can
also pick up a physical copy of the map at any of the local businesses listed,
found throughout the Logan Square and Avondale neighborhoods. I definitely
cheated with the three medium limit / parentheses are my friends.
Yesterday I met up with Expo Chicago Founder / President / Director Tony Karman again for a
follow-up to my original interview. Stay tuned for the continuation and learn
about the inaugural exposition’s aftermath and future.
And:
When your
ideas and creations take on a life of their own, without you, outside of
you, transforming into beasts people talk and think about long after
their realization, you know you’re on the right track.
Wednesday, May 9, 2012
Midwesterner in the Middle Kingdom // The Outsider
I’m on a bullet train from Beijing to Shanghai and the guy behind me is watching / loudly listening to some epic Chinese war movie (truly the best kind of movie) and I’ve got about an hour on my laptop battery
I’ve
spent the past couple days speaking in pretty much nothing but Cantonese, as
one of my Hong Konger uncles, a talkative retired elementary school teacher, was
in town. Cantonese was my first language, a fact I always forget (as a baby, I taught
myself English by watching Sesame Street, and because of that, I will always love you, television), but
Mandarin is Chinese and Chinese is Mandarin, and I don’t speak or understand it
at all. Yet here I am. What follows, then, is a reflection on language, on
identity, on identity crises, on the diasporal disconnect and angst of
first-generation Americans, and on vague pronouns.
I am a true outsider.
But allow me to start from the beginning.
Or, at least, Saturday, my first full day in Beijing.
I’d reunited with an old friend from college for the
first time since graduation. He’s living in Shenyang and had hopped onto a
train to Beijing—a 5-hour-long ride—to see me …and because he’s turning into
That Guy who disappears on the weekends to kick it in a big city where there’s
grass (this is not a euphemism) and where coffee shop owners aren’t baffled
when you ask them if you can use their “community bulletin boards” to post your
handmade flyers for an improv group you’re starting (apparently DIY culture is
nonexistent in Shenyang).
We’d made good use of the beautiful day, wandering around the 798 Art Zone; lazing on a lawn while catching up on each other’s
lives and then getting yelled at by men in golf carts to get off said lawn; drinking
too much sweet tea; eating great food, at one point alongside Buddhist monks donning designer sunglasses and sneakers; succumbing to our weaknesses for Communist
kitsch (come on, who can resist adorable plush pigs in Red Guard uniforms?);
playing China Bingo (“ah, there’s another middle-aged man with his shirt pulled
up over his paunch”); and being bemused by the number of young women wearing
cat ears (a fashion / style trend that hopefully will not catch on in the West).
Later on we met up with his expat friends and
friends of friends for dinner (at a Uyghur restaurant) and drinking
(everywhere).
Guided by the supermoon, it was, overall, a wonderfully
crazy night that ended up with us crashing a Canadian expat bachelor party
van [with overly friendly Frenchmen] that took us to a seedy nightclub with
Russian whores and hookah and gold-plated toilets (my friend and a friend of
his and I bounced within five minutes and instead opted for the great American
staple of searching for drunk food—we kind of succeeded). And they were / are
all lovely people. But…
And
now I shall switch tenses. (And inconsistently switch between first and second
person. It’s my blog! I do what I want!)
Every single one of them is fluent in Mandarin, and every single one of them is white. They laugh over puns based on Chinese homonyms, over Chinese politics and public figures. They know how to navigate the city by bike, by cab, by train, by foot. They can converse effortlessly with the locals. I, meanwhile, am an ABC and speak not a word of Chinese. As I sit with the group, white kids joking in Chinese, the irony is not lost on me. (In fact, it oppressively hangs above me like a
“In China we don’t talk about anything other than
China,” they explain good-humoredly to try to include me in the conversation when
I haven’t chimed in for an achingly awkward amount of time. (Suddenly it’s like
an undergraduate seminar all over again; the less you speak, the more profound you’re expected to sound.) To have these white American expats
know more about your motherland than you do, know your motherland more than you do… Really, you’ve come to
realize, you don’t know your motherland at all.
But even though you somewhat, sort of, maybe feel
more at home in America, you are an outsider there as well. To most Americans,
you look like a foreigner, even though you were born there and have lived there
your entire life and most likely have a better grasp of the English language
than they do. They ask you where you’re from, no where are you really from, no you know what I mean. They ask you what you “are”
(human? about to run away from you? trying really hard not to kick you in the
face?).
Here and now, in China, the people look like me. They
are, essentially, “my people.” Shouldn’t there be solidarity? Shouldn’t we be brothers and sisters? Shouldn’t
there be tearful hugs and clasps of the hands? “Right? We built their fucking railroads,
the ungrateful bastards.” But instead, I sheepishly shake my head and dig out a
typed page of Chinese phrases while they smile confusedly and apologize.
This is no Lost
in Translation understated overrated nepotistic Coppola emo old fart pink wigged PYT Othered
Asians as the backdrop hipster bullshit. I don’t want to hear it, Bill and ScarJo. Bitches,
you’re white. You don’t need to say or do anything. You’re a walking “HELP ME”
sign. Me? I have to endure a painful exchange of broken communication and
broken expectations before they come to the realization that I am Not One Of
Them.
Here, my difference is invisible. In America, where
I will always be labeled a foreigner, my sameness is invisible. In this sense, Asian-Americans aren’t the
invisible minority; our faces scream without sound. Invisible are the real and imagined
identities we struggle with every moment of our waking lives.
Such is the inner anguish of the outsider.
No matter where you go, you don’t belong, and you
never will.
But because you don’t belong anywhere, you are
untethered. Because you are alone, you answer to no one. Because you have no
place to call home, no place calls for you. You are free. You can roam. You can
drift like a seed from the hero tree.
Perhaps you belong everywhere.
You are a child of the world.
Tuesday, May 8, 2012
That’s So R[i]ven // No really Beijing’s 798 Art Zone is like Riven in real life, minus the impossible puzzles
Hello from Beijing! First things first: The Gozamos video interview of me at the I CAN DO THAT closing reception is up. Watch
All right. This. Place. Is. Unreal. I’d visited before as a teenager on a family
vacation, hitting up all the requisite tourist attractions, and back then, Beijing
felt like just another stop on a grand tour of the motherland. Or something. Coming
here now, I didn’t expect to love it this much (no offense, Beijing), perhaps because
my allegiances lie with Hong Kong, where I have family and have been visiting
throughout my life. Well, I am absolutely enamored.
Feathery white seeds
from hero trees drift through the hutongs, an unceasing summer snowfall. People
walk arm in arm with one another—men with men, women with women—slowly,
leisurely, almost deliberately. There is a general sense of lingering, and
because of this, there is life on the
streets, manifesting itself in an intense outdoor game of Chinese checkers or…
The art. The highlight is the 798 Art Zone. Take notes, Bushwick; 798 is an enormous industrial
district of factories and warehouses converted into galleries, studios, and art
spaces. (A friend told that me that he’d heard “they [nameless and faceless ‘they’]
pour a lot of money into making it look run-down.” Sounds familiar [and reminds
me of Williamsburg American Poorgeoisie / Fauxhemians with their grainy
desaturated photo filters spending a fortune to dress like hobos]. But
even if it’s true, I don’t care. I fell for the ruse and I fell in love.)
One could spend hours and hours wandering—it took me two days, and I still haven’t seen it all. Not even close. Photos of this art paradise here on Flickr and on Facebook.
Tuesday, April 24, 2012
Video ______ the art star?
I got vidz.
All related to I CAN DO THAT, of course.
First, here’s the web version of One Mic, the participatory performance piece by Bronx-based artist Glendalys Medina, whom I’d met at Bronx Calling: The First AIM Biennial during my most recent trip to New York. Read a couple of her interviews here and here. (Thanks, Alissa, for providing the TV!)
First, here’s the web version of One Mic, the participatory performance piece by Bronx-based artist Glendalys Medina, whom I’d met at Bronx Calling: The First AIM Biennial during my most recent trip to New York. Read a couple of her interviews here and here. (Thanks, Alissa, for providing the TV!)
At the opening reception, Peggy Shearn recorded the following outburst from art critic Prof. Arthur Typpe. (The greatest thing about this clip is the fact that you can see some
visitors continuing about their artistic business as if nothing’s happening a
mere three feet away from them. Behold! The power of art.)
And check out a new video of street artist Left Handed Wave doing what he does best:
(Come to the closing reception and deface
a banana man. You know you want to.)
But wait! There’s more! Peep the ever-expanding list of press coverage, now with added articles from Gozamos, Arts America, and Columbia Chronicle. Thanks, all! And look out for a feature in the summer issue of Landfills Magazine, due out this June. Thanks, Po Zimmerman, for a fun interview last week and for capturing me with Avisheh Mohsenin’s I Left A Piece Of Myself In…, which was built to Avisheh’s size. Which also happens to be my size. Huzzah for the small! (Please excuse my offensively dirty hair.)
Lastly, thank you, Lee Eun Young, for the lovely afternoon of food, drink, and
conversation. Eun Young, creator of Love Story, grew up in Korea, was educated in Paris, and has been living and
working in The Netherlands for much of her life. Fellow citizens of the world,
I salute you.
Monday, April 16, 2012
Art can be fun // I can cram hundreds of people into a stucco-walled loft
THANK YOU, everyone, for making Friday night’s I CAN DO THAT opening such a
great success!
The turnout was insane (I’m talking
shoulder-to-shoulder packed—well, in my case, more like shoulder-to-forehead), and,
more importantly, it was wonderful to see how engaged with (participating
artist Nikolas Burkhart told me
about one visitor who spent 45 minutes trying to replicate one of his paintings)
and even invested in (I had the privilege and honor of being witness to a group
of visitors cheering when they managed to suspend a mass of pop can tabs in the
middle of Angela Hearld’s sculpture via
strings of hot glue) the art everyone was. Simply put, people had fun.
Unlike most other gallery openings where you show
up, make a beeline for the booze, socialize with the people you know, and then
leave, all without so much as even glancing at the art (errr, not like I’ve done this myself or anything…), this art show was and is all about one
thing: the art!
If you took any photos, took any videos, have any
questions or comments (ones I got that night: “This isn’t art time—it’s play
time!,” “This is the most fun I’ve had at an art show ever,” “This is like a children’s museum… but for adults,” etc.),
have any interesting or funny stories, and / or counted how many penises were
drawn / painted / sculpted?… please email me at artists.on.the.lam {at}gmail {dot} com.
And please save the date for the closing reception on Friday,
April 27! More art, more fun, more madness, new performances! See how
everything evolves over the course of two weeks! There will also be live nude
painting. Now it’s a true art party.
Until then, drop by anytime M–W, 10am–4pm (or make
an appointment if those hours don’t work for you), and say hi!
Tuesday, March 20, 2012
On ubiquitous banana men, palm readers, and maps
If you live in Chicago, you have seen the banana dude.
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This one ironically not in Chicago but Brooklyn. Image courtesy of Left Handed Wave, 2011. |
For I CAN DO THAT, the prolific young street artist known as Left Handed Wave will provide a large-scale black-and-white banana man for show-goers to fill in / add to / go nuts with. After the collaborative effort is complete, he'll paste it up on the street. It will be grand. Check out this video of LHW in action:
Sadly, I’m allergic to bananas. And kiwis. And fabric softener. But rest assured that I’ll never be allergic to awesome art.
Thank you to another I CAN DO THAT artist, Mister Vibe, for giving me a palm reading. Apparently I’m a “Fire Hand.” Note that I’m also a Leo and was born in the Year of the Fire Rabbit. So that’s three fire signs. And I’m an only child. Basically, I was predestined to be a troublemaker / be obnoxious.
Speaking of which… gather ‘round and allow me to tell you about an old, still-untitled personal project I did a few years ago when I was in New York: From Fall 2008 through Spring 2009, I obsessively created hundreds of pre-stamped, self-addressed postcards, omitting my name. Written on each postcard was the prompt, “Tell me one thing you dream of doing before you die. Use this card as your canvas,” as well as a code on the bottom corner. I then left these postcards in public spaces all over Manhattan, using the codes to record where I placed each one. When the postcards returned to me, I was able to tell where each had been found, and I gradually pieced together a map of the city from all these people’s dreams.
It was an exploration in breaking down barriers between the private and the public (by its nature, letter-writing is an intimate act—although with postcards, anyone who intercepts your card can read what you wrote—and here were these people sharing their deepest fears and hopes with me, a nameless, faceless stranger, perhaps emboldened by the safety net of anonymity, or motivated by that very human desire to connect, to know that someone, anyone, knows about you), between artist and audience (I may have been the originator of the project, but was I the artist or were these people the artists, or both?), and between geographical boundaries (did the dreams of Upper Eastsiders differ that greatly from those in Alphabet City? on Wall Street? would the fine upstanding citizens there even pay attention to a handmade postcard taped up onto a street light? etc. etc.).
I’ve mentioned this project before, but learning about the new “Before I Die” installation in Pilsen is what prompted me to finally scan the postcards and try to share them online. For now, you can view them (uploaded in no particular order) here on Flickr (some replies NSFW).
Lastly, happy vernal equinox! Although it’s been much more like summer here in the Chi. If I were a beach kind of person, I’d totally be at the beach right now. (#vampireproblems / we skipped leather jacket weather / no but seriously when will I be able to wear my blazers and leather jacket)
Tuesday, March 6, 2012
wolf in Lam's clothing
The artwork submission window for I CAN DO THAT is now closed! (Of course, almost half the total submissions came in the last couple days. Ahh, human nature. But at least no one did what I would’ve done in similar situations / in college, which would entail searching for and finding a corrupt file on my computer on Sunday night, renaming said file, and then attaching that file to an email, to which the poor professor it addressed would respond saying s/he can’t open the document and I’d email back after some time all “golly I wonder why Prof well see if this one works” and then attach the real completed assignment and still manage to get an A okay I do not condone this behavior nor will I ever fall for it.) (Sorry, professors.)
To everyone who applied: Thank you! You’ll be hearing back from me by the end of the week. To everyone else: Many of the submissions are brilliant. I am beyond excited for this show.
Monday, February 27, 2012
I Can Spell // Sorry, Time Out Chicago magazines
If you live in Chicago, you will be seeing this (or a variation of it) around. Most likely hanging at the eye level of a hobbit.
Note to ransom note-makers: The “D” was surprisingly difficult to find. Note to no one in particular: The figure is from a scan of a photocopy of a cut-out print-out of a scan of a print of an intaglio etching I made a few years ago. I am my own Richard Prince.
I’ve added new buttons on the sidebar to make it easier for you to follow me on Twitter, LinkedIn (which I desperately need to update), and more. You’ll be kept up to date with all that I find is interesting. And thank you for following / visiting this blog in the first place! Thanks to you, when I Google myself (don’t front—we all do it) now, I actually show up on the first page of results. Nothing short of a miracle considering there are about a billion (this is a fact) Jenny Lams in the world; I even know two others (one of them is an aunt of mine, but technically I came first, since she married into the Lamily). Continue being awesome!
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