Hear, hear. Here.

Photo by Andrew Roddewig, 2011.

This is a look of love and trust. Love between first-time performance artists whose one “rehearsal” consisted of merely talking through what might happen in the actual performance. Trust to not get paint up the nose.

Photo by Andrew Roddewig, 2011.

Thanks to Andrew Roddewig for taking photos of Caitlin Bergh’s Exquisite Corpse performance and posting a slideshow on Sixty Inches From Center. If you have a Facebook account, you can view many more—90 total, including outtakes not seen in the SIFC article—in albums here and here.

Thanks also to Dubi Kaufmann—view his photos on Flickr.

The next post will include videos [and even more photos!] of the performance.

Here, I’ve created a new page for write-ups in the press, including such pieces as Paul Klein’s preview / review of the exhibition and my interview on Gapers Block.

I’ve also created a new page for the virtual gallery here. It’s still under construction, but for now, you can check out Spiritus Saltus (which I profiled in these three posts) and Opposition (shown here). I’ll be spotlighting the artworks in future posts as well.

I have been following Caitlin’s budding comedy career since Day 1 (all of six months ago… but hey, the short amount of time makes her progress all the more impressive), ever since she told me she decided to take a stand-up class taught by Cameron Esposito (whom Caitlin eventually opened for as her first “real” comedy gig). She’s already come a long way yet, in her words, you’ve only seen the “tip of the iceberg(h).” Comedy Cares presents: A Benefit for The Broadway Youth Center is tonight at 8pm.