Monday, August 26, 2024

Just Us


Goodbye, Paw Paw. I love you forever.

Photo of a candid moment between Jenny Lam and her maternal grandma at Noah’s Ark Waterpark in Wisconsin Dells, August 26, 1996.
A candid moment between us at Noah's Ark Waterpark in Wisconsin Dells,
August 26, 1996.

My maternal grandmother died in her sleep around 5pm on August 16, 2024, in her house in Palatine, Illinois.

Mirroring the previous picture, a candid moment between Jenny Lam and her maternal grandma on Class Day of her college graduation, Columbia University, New York City, May 19, 2009 (despite what her outfit would have you believe). Jenny wanted to take a photo in front of the chapel where she ran a student art gallery in the basement.
Mirroring the above, a candid moment between us on Class Day
of my college graduation, Columbia University, New York City,
May 19, 2009 (despite what her outfit would have you believe).
I wanted to take a photo in front of the chapel where
I ran a student art gallery in the basement.

I don’t have it in me to write an eloquent tribute like I’ve done in the past. Read those linked blog posts if you want something more meaningful and poignant. (Actually, definitely read the “A Tale of Two Grandmothers // On Memory” post (if you didn’t back then) before you continue with this one, since it provides some necessary background and I don’t want to repeat myself.) Instead, I feel drained; I have a headache from crying.

A photo of Jenny Lam's maternal grandma bathing her when she was a baby.

She’s always been one of the people I love the most. I’ve said it countless times before but she raised me while my parents worked and I was her favorite grandchild (something I liked to jokingly attribute to me just being really cool or whatever but also comes down to timing; when I was born she was perfect “grandma age”—63, old enough to spoil me, young enough to chase after me and deal with my shenanigans). We had a special bond.

A photo of a loving moment between Jenny Lam and her maternal grandma when Jenny was a baby.

Saturday the 17th was my birthday. My grandma died on Friday. My mom waited until Sunday to tell me, understandably. I knew something was off though; on Friday night right before dinner my mom spontaneously went to see my grandma (for the past year plus she and my Aunt 6 took turns going to my grandma’s house to take care of her, but their visits were usually scheduled ahead of time), and later that night her phone’s text notifications were blowing up (and I thought to myself, “Don’t look down at her lock screen”). And then my birthday itself felt odd. And it usually doesn’t rain on my birthday, but it did this time.

A photo of Jenny Lam when she was a baby and her maternal grandma at Chicago O’Hare Airport to pick up her mom from her first business trip to San Francisco, August 1988.
At O'Hare Airport to pick up my mom from her first business trip to San Francisco,
August 1988.

(I’m writing this on the 18th so my thoughts and emotions—including rage—are more immediate and raw, but I’ll wait a week to hit publish; I’d like to hold off until after I respond to everyone for all your birthday wishes (thank you all for the love).)

A photo of Jenny Lam when she was a baby and her maternal grandma at Chicago O’Hare Airport to pick up her mom from her first business trip to San Francisco, August 1988.

My grandma was 99 years old, and only three months away from 100. She was so close to reaching that milestone and I really thought she’d make it. Maybe I’m naïve. But in late April/early May 2023 the uncle, his wife, and his children who live in her house infected her with COVID, and she was never the same after that. She already had dementia but she used to have moments of sharpness before and was doing so well right until that point; the virus weakened her immensely and accelerated her physical and cognitive decline. And then last week they infected her with mumps. (For God’s sake wear a mask and wash your hands when you’re sick, especially around the elderly. Of course you should do so when you’re healthy too (my mom and Aunt 6 always masked up and were militant about their hygiene when they went).) She was apparently recovering from the mumps though, and her death came as a surprise; my Aunt 6 was there taking care of her when it happened.

Yes, she obviously lived a very long life. But it’s never enough time, you know? Your loved one could live to be a thousand years old but if you were born after them and also live to a thousand it’ll never be enough and it’ll always be too soon.

A photo celebrating Jenny Lam's maternal grandparents becoming American citizens (they, Jenny's mom, et al. immigrated here in 1978), early 1990s (candid laughter as Jenny, born troublemaker, had the moxie to mess with a man who drank brandy with every meal).
Celebrating my maternal grandparents becoming citizens (they, my mom, et al.
immigrated here in 1978), early 1990s (candid laughter as I, born troublemaker,
had the moxie to mess with a man who drank brandy with every meal).

Something that does bring me some semblance of comfort though: My grandma died exactly seven years, to the day, after her most filial child (and overall kind and good person), my maternal Uncle 4, who lived in California, died of cancer on August 16, 2017. I’m inclined to believe my mom that there’s something to that coincidence; she says maybe it’s a sign that he came to bring their mother home.

A photo of Jenny Lam's paternal grandma on the right and her maternal grandma looking into the camera, waiting to depart from the Big Buddha, Ngong Ping, Lantau Island, Hong Kong, December 30, 1996. Also pictured are Jenny's parents, and, if you look closely on the left, Jenny’s in her then-favorite baseball cap and flannel pants and snacking on peanut butter cracker sandwiches.
My paternal grandma on the right and my maternal grandma looking into the camera,
waiting to depart from the Big Buddha, Ngong Ping, Lantau Island, Hong Kong,
December 30, 1996. Also pictured are my parents, and, if you look closely on the left,
I'm in my then-favorite baseball cap and flannel pants
and snacking on peanut butter cracker sandwiches.

My mom accompanied the news with what might be considered clichés—my grandma’s in a better place now, she can eat whatever she wants now (her deterioration progressed to the point where she couldn’t eat solid foods, and recently she’d sometimes forget how to swallow), she can remember everyone now, she can finally be reunited with my maternal Uncle 4 now, she knew how much I loved her—but those sayings are common for a reason; they bring me comfort too.

A photo of Jenny Lam and her maternal grandma at the closing reception of Exquisite Corpse, the first exhibition Jenny curated independently, Chicago, September 17, 2011.
At the closing reception of Exquisite Corpse, the first exhibition
I curated independently, Chicago, September 17, 2011.

(I guess a note on numbers/names. In Chinese we call our aunts and uncles by their birth order, followed by the specific word designated for their relationship to you; in our language it’s not just “aunt” and “uncle”—there’s a different name for, say, uncle who’s your mother’s elder brother vs. uncle who’s your mother’s younger brother vs. uncle who’s your father’s younger brother and so on.

As for my family, my parents are the same age (they’re high school sweethearts), but my dad’s the eldest on his side, while my mom’s one of the youngest; she’s number 7, out of 9, and is the youngest daughter. Her eldest brother (technically her half-brother since he was my maternal grandfather’s child from his first marriage, before his first wife died when they were young—my grandmother was a wonderful stepmother to him) was number 1 and lived in Manchester; he died in 1994 when I was six. I remember my mom locking herself in our bathroom to cry because she didn’t want to do so in front of me, and I drew her a picture that said “I love you” and slipped it under the door, and I heard her immediately stop crying. She was so moved she showed it to all her coworkers the next day.

The note on numbers also brings me to generations. Due to my dad having all younger siblings and my mom having mostly older siblings, most of my cousins on my mom’s side are Gen X, while most of my cousins on my dad’s side are Gen Z. My parents belong to the younger half of the Baby Boomer generation, now also known as Generation Jones (a newly coined but much appreciated distinction since my parents never related to older Boomers who they say had all the opportunities handed to them and refused to step aside and make room for younger Boomers). My maternal grandmother was part of the Greatest Generation. Around 2010 my friend Julia Alekseyeva introduced me to a generational theory that found patterns among generations; according to the theory, the Greatest Generation and Millennials have the same generational archetypes, and that’s why we feel so closely connected to one another within our families (for her, this connection was with her great-grandmother, and is the subject of her graphic novel memoir Soviet Daughter: A Graphic Revolution). All of this, I suppose, is to serve as affirmation for the timing I mentioned at the beginning of this post, of my Paw Paw being the perfect age when I was born—or of us being born at the perfect moments in history to be able to reach each other across time. If this tangent sounded self-important, I don’t care; we’re all important.)

A screenshot from Facebook of Jenny Lam's maternal grandma wearing the gloves Jenny got her in Peru, 2011.

I now no longer have any surviving grandparents. As you know, my paternal grandma died of pancreatic cancer in November 2020 at age 86. My paternal grandpa died in 2011. And my maternal grandpa died on Father’s Day in 1996, something that, as I also noted at the end of the companion post, changed the course of our lives. That’s kind of amazing for my maternal grandma though; she outlived her husband by over 28 years.

(I’m now a few months older than my mom was when her eldest brother died and only a couple years younger than she was when her father died, and I now understand why she described her father’s death as traumatic for her to experience when she was still young.)

(I also understand that this post is unintentionally riddled with math word problems.)

A screenshot from Facebook of a funny quote by Jenny Lam's maternal grandma, 2012.

When Pixar’s Soul came out in December 2020, one year after it became official that my maternal grandma no longer remembered who I was, there was this instrumental on the soundtrack by Trent Reznor and Atticus Ross called “Just Us,” that, for some reason, when I listened to it for the first time back then, made me picture me and her as little blue souls, holding both of each other’s hands and spinning through the air (my mind combined it with imagery from the end of Pearl Studio’s Over the Moon, which came out a couple months earlier), and we’re reunited in the afterlife and she remembers me, and it made me cry. I honestly can’t even start thinking about that track without being brought to tears.



In searching for some of the Facebook statuses I’ve shared throughout this post, I also found this one, a memory I’d myself forgotten until now:

A screenshot from Facebook of a 2013 article explaining why children have more control of their dreams, and Jenny Lam talking about the lucid dreams/nightmares she used to have as a kid and teen.

Perhaps my vision of us as Soul-like blobs flying together was a happier reimagining of those childhood dreams.

Perhaps growing up means realizing there are things you can’t save your loved ones from.

A screenshot from Facebook of Jenny Lam talking about how her maternal grandma was so happy to see her, 2018.

I’m thinking about and in awe of my mom’s strength.

And also my grandma’s, of course. I always referred to her as a badass and I still think it’s the most accurate way to describe her.

A photo of Jenny Lam and her maternal grandma on Jenny's birthday on August 17, 2019.
My birthday on August 17, 2019.

She deserves more than the rants and ramblings of the grandchild she lovingly spoiled. She had dreams. She had regrets. One day I’ll write a proper tribute. Her life had a lot of hardship, but also happiness.

During my summer break in 2006 I interviewed her because I wanted to document her story in her own words. I recorded the interview on a cassette and knew exactly where the tape was for years when my parents still lived in my childhood home (I can tell you it was in the third bedroom a.k.a. the piano room / computer room / guest bedroom), but since they moved we have no idea where it is anymore (12 years later they still have moving boxes they haven’t unpacked—no offense to my dad but he was as haphazard as he was arbitrary when it came to what he put in each box and where he put each box). Once we find it I’d like to digitize it and share the audio, hear her voice. I do have with me a Word document of notes I had typed up in real time. This was towards the end of our second session:

A screenshot of notes Jenny Lam took while interviewing her maternal grandma in 2006.

I just realized I spent this entire blog post not even recounting any of our memories together, or conveying how she was as a person to honor her. How do you even choose which memories to write about when you’ve spent your formative years with someone? There’s her laugh. Her hilariously snarky commentary when she sat down to watch whatever I was watching on TV. Her green thumb, the abundant vegetable garden she grew in her backyard. The jade she wore. Mahjong. Werther’s. Condensed milk on Wonder Bread. Fried SPAM. “Bob Simpson.” The perfume bottles in her and my grandfather’s bedroom. The huge flat cushions I made forts out of. Her hardiness. Her resourcefulness. Yes she raised me all throughout my early childhood, so I spent countless afternoons after school with her up through age 8, but there are also those years I loved, ages 9-13, when she lived on her own in a newly built townhouse that felt so bright and airy and like anything was possible (and when she first moved in I’d climb around the stairs singing “Out There” from Disney’s The Hunchback of Notre Dame, my favorite film from ages 8-9) and she filled it with all new things—a fuzzy red and black flannel throw blanket for me to curl up with when watching TV on floral-patterned couches, crisp and cloud-like bedding (also floral) for my bedroom there when I’d stay the night every weekend—I can still feel and smell it in my mind—and in the morning she’d bake pizza Bagel Bites for me. All the delicious food she’d make. When she’d knit me scarves. How, as I got older, we shared the same taste in fashion. When she moved into her current house and remodeled the basement with all pink carpeting and walls and I used it to throw my sweet 16 birthday party. Her little pink laptop she used for playing solitaire. Her affinity for ordering a bucket of KFC whenever we had a holiday potluck. How she was always dressed as if it were freezing, even in the summer. When she started losing her short-term memory and I wore clothing she’d gifted me and she complimented it and asked where I got it every single time. The photos of me and her other grandchildren on her headboard. How her hands felt.

I could go on and on. I could write a novel, literally.

A screenshot of notes Jenny Lam took while interviewing her maternal grandma in 2006.
Another screenshot from the notes I typed in real time when I interviewed her,
second session, August 21, 2006.

The fact that this happened around my birthday has me ruminating on my own sense of mortality even more than usual. Our time is so limited, and the years are racing by (especially these pandemic years—I still feel stuck at the age I was when COVID hit). If you’re fortunate to have a good relationship with your parents (as I do), see them and spend as much time with them as you can (as I have and will). Ask them their stories and record them and remember them yes, but also make new memories. That thing that you’ve always wanted to do? Go do it.

(I’ve been asking you about your dreams for the past 16 years, after all.)

I wonder what it’s like for my grandma right now. Is it like a veil has been lifted? Suddenly she can see—all her memories flooding back, everything that’s happened these past few years revealed to her. I guess I’ll find out in time. Grandma, I’ll see you when we’re little blue blobs.

Wednesday, July 3, 2024

Under the Tiffany Dome


Stoked to announce that LAMINATOR Vol. 1 will also be available for purchase in Buddy, the 2,500 sq. ft. shop inside the Chicago Cultural Center! (Dropped off 10 copies in the store on Monday. The staff told me they’ll be on display in about a week!) Thank you to Buddy for inviting me to be a vendor!

iPhone photo by Jenny Lam of her holding up a copy of Artists on the Lam's inaugural zine that she created, LAMINATOR Vol. 1, inside Buddy, the art shop inside the Chicago Cultural Center

And thank you, as always, to the 68 artists, poets, and writers from all over Chicago, the country, and the world whose wonderful work is published in this volume, and to everyone who’s already bought it! So far, 80 have been sold!

iPhone photo by Jenny Lam of her holding up a copy of Artists on the Lam's inaugural zine that she created, LAMINATOR Vol. 1, underneath the Tiffany dome inside the Chicago Cultural Center

Make a lovely little day of it in the Loop: Visit the beloved (and newly reopened!) Bean, then hop across Michigan Avenue from Millennium Park and pop into the beautiful local gem that is The People’s Palace and pick up a zine!

iPhone photo by Jenny Lam of her holding up a copy of Artists on the Lam's inaugural zine that she created, LAMINATOR Vol. 1, outside the Chicago Cultural Center

It’ll cost more there, but since there’s no shipping, the total comes out to be about the same.

Otherwise, you can order online here!

I’m also delighted to share that I’m one of the Urban Photo Awards 2024 Selected Photographers! And they received a record number of 17,000 submissions! Here’s my page in the competition’s gallery, featuring my photo of Shenzhen’s Zhongshuge bookstore, shot on my iPhone 12 Pro.

Screenshot of "Bookworm," an iPhone 12 Pro photo by Jenny Lam of the Zhongshuge bookstore in Shenzhen, China, as a Selected Photographer in Urban Photo Awards 2024

Almost forgot about this one since it was announced while I was traveling for the first time since The Before Times: Shot on my iPhone 5s in 2015, my photo One Step at a Time has been awarded an Honorable Mention in the 13th Annual Mobile Photography Awards in the Silhouettes category! This is my third year in a row being selected by MPA and Urban. Thank you and congrats to everyone!

Screenshot of "One Step at a Time," a 2015 iPhone 5s photo by Jenny Lam, as an Honorable Mention in the Silhouettes category of the 13th Annual Mobile Photography Awards

(My photo: A candid of a stranger walking down the spiral staircase in the Morton Wing of the Art Institute of Chicago.) View more of my iPhone 5s photography here.

And some fun stuff since our last catchup:

  • As I mentioned, I traveled (and found that I was a little rusty since it had been so long): Hong Kong and Shenzhen for family and art, New York City for friends and art, and, as you’ll see below, another impromptu trip for family (and [I managed to squeeze some] art [in]). I micro-blogged about my trips on my socials; check out the photos, stories, mini history lessons, cultural highlights and recommendations, and more that I’ve posted on Facebook, Instagram, Twitter (like the Sears Tower and Marshall Field’s, I will never call it by its other name), LinkedIn, Tumblr, Threads, and Mastodon.
  • I cannot believe I saw the northern lights in the Chicago suburbs. My mom and I were literally hoopin’ and hollerin’. Crossing seeing the aurora borealis off the bucket list, and all we had to do was go to the park across the street!
  • Singling out this travel highlight: A few weeks ago I went to Las Vegas for the first time as an adult (first and last time I was ten and it was winter and I rode my first rollercoaster outside the MGM Grand) because my parents renewed their vows for their 40th wedding anniversary with an Elvis impersonator!(!) It was my Dad’s idea, and I’m glad I went because it rocked. Read more about the experience and view our group picture here. (Yes I’m wearing a Starry Night Over the Rhône by Vincent van Gogh dress.)

Monday, May 13, 2024

Leading Light


Rest in peace, Jason Pickleman. This is his Dreams of a City postcard he mailed to me in 2021, in response to the prompt I’ve been giving people since 2008, “Tell me one thing you dream of doing before you die. Use this card as your canvas. When you’re finished, mail the card.”

Dreams of a City postcard #6425 front and back, NE. corner of Franklin & Chicago, Thursday morning, 2 September 2021, filled out by Chicago artist Jason Pickleman for Jenny Lam's long-running city-wide interactive public art and mapping project
#6425 front & back, NE. corner of Franklin & Chicago,
Thursday morning, 2 September 2021.

Jason and I only met twice. The first time was in 2019 when I went gallery-hopping one summer evening. At Ken Saunders Gallery, he approached me to ask about my tote bag. It wasn’t until the middle of our conversation when other people kept coming up to him that I discovered he was the artist of the exhibition! (The show was Light Reading.) After that discovery, I took this photo of him.

iPhone 5s photo by Jenny Lam of Jason Pickleman next to his neon piece in his 2019 art exhibition "Light Reading" at Ken Saunders Gallery in Chicago
Shot on my iPhone 5s. No filter.

The second time was in 2021, at the preview for the Neon and Light Museum pop-up, where he was one of the exhibiting artists. Again, he approached me and we chatted at the show, and then later, after I left, he saw me outside across the street putting up my Dreams of a City postcards and came up to me again to see what I was doing. After learning about my project, he then brought me to check out some guerilla art he had secretly and anonymously put up nearby.

I wish I took a photo of it because I can’t find any evidence of it online (makes sense since he did it secretly and anonymously), and I wanted to fact-check before making this post. Going off my memory, it looked like a pin drop / location marker and was on the window of a storefront, and had to do with racial justice, and he wanted to see how long it would take for someone to notice and take it down.

And then it wasn’t until later when I Googled him that I realized he was an esteemed figure in the Chicago art scene, and even that’s an understatement (look up JNL Design and you’ll recognize all the iconic work he’s done).

But what do you expect? For him to say “I’m kind of a big deal”? He was as humble as he was outgoing and affable.

It’s something to emulate, to live life in such a way that two brief encounters would leave such an impression on the other person.

As for his postcard? I’d like to interpret it as a life well lived.

May we all be able to cross out our to-do lists.

Thursday, March 14, 2024

Dusting Off the Suitcase


Here’s a type of announcement I haven’t made in a long while: I’m traveling to Hong Kong today! (Thank you, as usual, to Art Basel and Art Central for the VIP program invitations.)

It’ll be my first time traveling since before the pandemic (my last trip was over four years ago, to Buenos Aires and the Patagonia region of Argentina and Chile, which I wrote about in the early 2020 blog post “Alegría”), making this the longest I’ve gone my entire life without traveling (yes, including when I was little—my About page has always included “globe-trotting polyglot” among my many distinctions, after all).

And it’ll be my first time back in the Fragrant Harbour in five years, since March 2019:

A collage of some of Jenny Lam's iPhone 5s photos from the last time she visited Hong Kong in 2019
Some of my iPhone 5s* photos from that trip.
*(Except for that narrow selfie my cousin took on his phone.)

(In the above collage: the top left photo is from my blog post “‘Life’s too short for sad art’ // A preview of HKwalls 2019”; the top right is from my honed-from-years-of-experience guide “How to make the most of Hong Kong’s Art Gallery Night // or, Art Basel Hasn’t Even Started Yet and My Legs Are Already Tired”; the second row left is of self-taught artist Fung Ming Chip and his partner Yim Tom, both of whom I’d met the previous year and whose studio visit was a highlight; the entire third row is from Take Your Cousin to Work Day the morning my maternal cousin Philip Ng, a martial artist and actor, brought me to TVB; and the middle photo in the fourth row is of my late paternal grandma on the evening I finally got to visit her home in the Pak Tin public housing estate.)

Long-time followers of this blog will remember that I took solo trips to Hong Kong every year from 2012-2019 (and in 2017 my mom tagged along to record her Cantonese opera album!).

This will also be my first time back after my paternal grandmother’s passing from pancreatic cancer (I wrote about her and my maternal grandmother, who raised me and is ten years older than the former and still with us but has dementia, in my November 2020 blog post “A Tale of Two Grandmothers // On Memory”); it’s going to be strange being there and not being able to ramble around country parks with her like I used to, or try to figure out how to rearrange the contents of my hotel’s mini fridge in order to fit all the apples she always greeted me at the airport with, or sit next to her at the banquet-style family dinner we’d have with everyone and get food for her first before getting mine, internally reveling in being able to step into my role as the mature, eldest cousin on my dad’s side (a role I don’t often get to play since I’m one of the youngest cousins on my mom’s side). But also, I’m a different person than I was in 2012 when I was a whippersnapper and had no idea what I was doing (not that I think I know what I’m doing now), and it was like my Hong Kong uncles and grandma were making sure this kid traveling on her own was looked after.

A screenshot of Jenny Lam's 2012 Facebook status at the end of her first full day alone in Hong Kong, which reads: "I love how every single one of my Hong Kong-living uncles and my grandma each called me within the past half hour asking me 1. if I've eaten yet; 2. if I'd like to make plans to have dinner with them this week; and 3. if there's any food I want them to buy for me. Separate calls, same subject. Cantonese. Our lives revolve around food."
My Facebook status at the end of my first full day alone in Hong Kong, 2012.

It’s the kind of change that comes with growing up, isn’t it?

Anyway, I’m looking forward to it, especially since so many new things have popped up in Hong Kong over the years I’ve been away. And since I’ll also be visiting Shenzhen for the first time in a decade!

While I’m overseas, you can: follow along on my socials; view my artwork currently on display in the exhibition Click at The Art Center Highland Park; reserve a copy of LAMINATOR Vol. 1, my brand new zine featuring 68 artists, poets, and writers from around the world (also available in the gift shop of the aforementioned art center while supplies last) (I mailed all pre-orders last week and it’s been so exciting to see folks receive and post about their zines these past couple days!); and collect art from a few of the artists in said publication.

Lastly, some miscellany:

A screenshot of a March 2024 status on Threads by Jenny Lam that reads, "At Walmart with my mom and a sweet old lady approached us and thanked us both for wearing masks. 🥹 (She was masked too.)"
On Threads and Mastodon.



See you on April 2, Chicago!

Saturday, March 2, 2024

In Focus


Me last night with my piece, Petal, which I’d shot on my iPhone 5s in 2014, at the opening reception of the photography exhibition Click at The Art Center Highland Park:

Self-taught artist and photographer Jenny Lam in front of her framed photograph of the staircase inside the Museum of Contemporary Art Chicago, shot in 2014 on her iPhone 5s, at the opening reception for the photography exhibition Click at The Art Center Highland Park in 2024. She is wearing a black coat and a black facemask.

Love that they hung my photo in this alcove right by the wine:

"Petal" by Jenny Lam, a photograph of the staircase inside the Museum of Contemporary Art Chicago shot on iPhone 5s in 2014, framed and hanging in the photography exhibition "Click" at The Art Center Highland Park in 2024

If you missed the event, the show runs through April 6. And if you’re lucky, you can also pick up a copy of my brand new zine in the Gift Shop! I dropped off five books and immediately it was down to four—thanks to artist Diane Ponder who bought one! Congratulations on being the first in-person customer of LAMINATOR Vol. 1!

A small stack of LAMINATOR Vol. 1 zines, created, edited, and designed by Artists on the Lam founder Jenny Lam and featuring 68 artists, poets, and writers from all over Chicago, the country, and the world

Wednesday, February 28, 2024

This Isn’t a Proper Unboxing Video Because Then You’d Have to Watch Me Take Off Gloves and Wash My Hands


Ahhhhh look what arrived today! My first ever zine! It’s a beauty. Artists on the Lam presents: LAMINATOR Vol. 1, featuring artwork, poetry, and prose by 68 artists, poets, and writers from all over Chicago, the country, and the world. 108 pages, 5.8 x 8.3 inches, full color pages on satin paper, gloss covers with gloss lamination, perfect bound. Thank you to Mixam for printing these! And thank you again, of course, to all the incredibly talented contributors!


Within the next week or so I’ll be mailing zines to everyone who pre-ordered it (and I’ll send email notifications when I do). If you haven’t ordered yet, head on over to this page!

I’ll also drop off five copies at The Art Center Highland Park’s gift shop this Friday during the opening reception of the exhibition I’m in; it’ll cost more there, but since there’s no shipping, the total comes out to about the same.

Can’t wait for you to see the inaugural issue of LAMINATOR!

Friday, February 16, 2024

Click into Place


My 2014 photo Petalshot on my iPhone 5s—has been selected to be exhibited in Click at The Art Center Highland Park! I remember taking an oil painting class at TAC the summer I was 19 and it was a lovely experience, and I’m overjoyed to show my art there. Thank you to guest jurors Paula Chamlee and Rose Blouin and curator Caren Helene Rudman for choosing my work.

The Art Center Highland Park. Photo via TAC's Facebook page, 2024
The Art Center Highland Park. Photo via TAC.

When:
March 1 – April 6, 2024
Opening Reception: Friday, March 1, 5:30-8pm

Where:
The Art Center Highland Park
1957 Sheridan Rd., Highland Park, IL 60035

"Petal," a photograph of the staircase inside the Museum of Contemporary Art Chicago, by Jenny Lam, shot on iPhone 5s in 2014
Petal, 2014.

A few days ago I was a guest speaker at University of Illinois Chicago again! Thank you again to Carrie McGath for having me in your English classes.

A painting called "Can't Shake It" by Chicago painter Laura Catherwood for Artists on the Lam's inaugural zine, LAMINATOR Vol. 1, created by Jenny Lam
A zine sneak peek: Can't Shake It by Chicago painter Laura Catherwood.

And zine progress updates:

For contributing artists, poets, and writers, and for everyone who placed a pre-order: Thank you so much for your patience with the production of Artists on the Lam’s new zine, LAMINATOR Vol. 1! The publication is currently in the process of being professionally printed, and it’s estimated that this first batch will be delivered to us in bulk by March 1. Soon after we receive the bulk shipment, we’ll mail your zine (or zines for those of you who pre-ordered multiple) to you, and will send you an email notification as soon as we do.

"Água Viva (English translation: Living Waters) 1" by Pedro Patti, a 25-year-old Brazilian photographer, for Artists on the Lam's inaugural zine, LAMINATOR Vol. 1, created by Jenny Lam
Another sneak peek of the artwork: Água Viva (Translation: Living
Waters) 1 
by Pedro Patti, a 25-year-old Brazilian photographer.

For everyone else: No worries if you didn’t pre-order a copy/copies but would still like to, or later decide you’d like to in the future; I’ll have extra copies just in case!

An oil painting called "Succession Finale" by Evanston painter Kathy Halper for Artists on the Lam's inaugural zine, LAMINATOR Vol. 1, created by Jenny Lam
Zine art: An oil painting called Succession Finale by Evanston painter Kathy Halper.

Zine contributor Kathy Halper’s [relatable for many—maybe even most—artists, myself included] statement:

“A funny thing happened in 2020. I realized I was enjoying the shut-down. Like a lot. It was the life of which I had always dreamt. Suddenly the world was aligned with my anti-social instincts.

I became hyper-focused on my routines and relationships. With affection and tongue-in-cheek awareness of the tedium of life, I began oil paintings focused on the rut of 30 years of marriage, dogs in my personal space and staring at screens. My goal: to preserve and observe life while I live it.

Warped perspectives emerged as a way to create tension in benign stories, as well as insert my own ever-present anxiety where there would appear to be none.

I am inspired by artists such as Marisol and Faith Ringgold, who used folk art to simplify and subvert expectations, and Grayson Perry for his irreverent humor. I also love the painterly interiors of Bonnard and Munch. What has emerged is a personal and clear eyed, if skewed, diary of my life.”

Kathy also currently has a solo exhibition at Evanston Art Center called JOMO: The Joy of Missing Out, where you can see this piece (and others) in person. The show will be on view for a couple more days, until February 18. Congratulations, Kathy!

An oil painting called "Ecstasy, Passion, & Pain" by Patrick Earl Hammie for Artists on the Lam's inaugural zine, LAMINATOR Vol. 1, created by Jenny Lam
Happy Black History Month! One more zine sneak peek:
An oil painting called Ecstasy, Passion & Pain by Patrick Earl Hammie.

Lastly, some fun stuff to kick off 2024:

  • Here’s an outfit I wanted to show off. (Thanks Chicago Fashion Coalition for inviting me to Soundpost: Perception at Chicago Symphony Orchestra’s Symphony Center!)
  • Do you ever get an idea for a doodle where you’re like, “This is so silly. …I have to do it”? My Eminem x Midwestern Ope mashup sketch is an example of that.

Happy and healthy Year of the Dragon!

Sunday, December 31, 2023

Auld Lang Syne


Thank you to my alma mater Columbia University for featuring me again yesterday, this time in their Instagram stories! From when I was named one of 2023’s Culture Shifters by HuffPost:

Chicago artist Jenny Lam featured in her alma mater Columbia University in the City of New York's Instagram stories, highlighting when she was named one of 2023's Culture Shifters by HuffPost

Now, on to more sneak peeks at the artwork that will be in LAMINATOR Vol. 1 zine (pre-order the inaugural issue here!):

A dreamy photograph called Through the looking glass 4 by Klinta Kalneja in Riga, Latvia:

A photograph called Through the looking glass 4 by Klinta Kalneja in Riga, Latvia, for Artists on the Lam's inaugural zine LAMINATOR Vol. 1 created by Jenny Lam

An incredible acrylic painting called The Streets Are Ours by Chicago artist Keelan McMorrow:

An acrylic painting called The Streets Are Ours by Chicago artist Keelan McMorrow for Artists on the Lam's inaugural zine LAMINATOR Vol. 1 created by Jenny Lam

He says:

“As a painter, I’ve always tended to view my work as a sort of alchemy—from pigment to paint, concept to realization, there’s always some kind of transformation afoot. But the thing about painting a picture is that getting another person to look at it is pretty much the whole point, and that’s where the last bit of magic occurs. Whether or not someone else’s heart gets the message, their brain has gotten a piece of that I’ve been feeling, and if I’m lucky it’ll turn into something else, because it isn’t just mine anymore.”


Bonus: Keelan’s take on AI “artists”:

Chicago artist Keelan McMorrow's take on AI "artists": "Does utilizing AI make you an "artist"?  When someone hires me to create a painting for them, they tell me what they want. These are prompts. All that AI technology is doing is multiplying the rapidity - close to real time - with which these prompts can be answered with product.  I don't think that my clients are all artists. But I do meet clients who over-estimate their role in this process."

An opportunity for Chicagoans: DCASE’s 2024 Individual Artists Program Grant application is now open! I’m a past awardee; both times I applied, I was selected to receive the grant!: The first was for my ongoing large-scale interactive public art and mapping project, Dreams of a City*; the second was when I conceived of SLAYSIAN**. More details for IAP here. The deadline is January 16, 2024, 5pm CST.

Chicago DCASE's Individual Artists Program Grant 2024 applications are now open

*(Recent interviews about that passion project!: WGN Morning News (video, recorded live), WBEZ (audio, recorded live), Chicago Reader (article).)

**(The exhibition I created and curated celebrating Asian American artists in Chicago and the Midwest, which finally happened in person in 2021! You can continue to enjoy the original virtual version from 2020 here and read about SLAYSIAN in press coverage (including feature articles, reviews, and interviews with the artists and myself) from 2020 here.)

And some fun stuff as we close out 2023:
  • When I was a kid I made these little mint candy snowmen from scratch (following a recipe from American Girl Magazine) and my mom still has them in the fridge and showed ‘em to me for the first time since [maybe] the ‘00s. And now I’m showing them to you.
  • A silly little anniversary: This past fall marked 20(!) years of me having the same hair “style” / a middle part. I don’t have any photos of me from autumn 2003 on hand, so here’s a photo from summer 2004, along with some context for the location.
  • An art-related anniversary: Throwback to 10(!) years ago when I was invited to curate the exhibition for Sixty Inches from Center x Autotelic’s birthday bash at what was then called Flats Studio, which was a massive old former bank building, and before that it was a former vaudeville theater, in Uptown. (Look up 1050 W. Wilson Ave.—that was the venue! And now it’s about to be the new home for Double Door.)

Happy Holidays and Happy New Year, everyone!

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